PIG (ex-KMFDM alumni) + Unitcode:Machine + Wicked Playground – W Palm Beach – West Palm Beach, FL

Heroes Live Entertainment presents PIG (ex-KMFDM alumni) “Heroin for the Damned Tour” with special guests Unitcode:Machine and Wicked Playground on Friday, November 1, 2024 @ Respectable Street in West Palm Beach. First South Florida show since 2017!

7:00PM (Doors) | 8:00PM (Show) | 18+

Website: https://pigindustries.com
Facebook: https://facebook.com/pigindustries
Instagram: https://instagram.com/pig_band_official
Bandcamp: https://pigindustries.bandcamp.com/album/red-room

PIG – the venerated project of head hog Raymond Watts & his herd of swine – returns in top form on Red Room. Watts & Co tease, taunt, tempt & tantalize with PIG’s singular blend of hook laden, genre bending, electronic tinged rock & roll, full of malevolent reverence, glitz, glamour, sleaze, sin & swing.

Guest appearances by Alexis Mincolla (3Teeth), Chris Hall (Stabbing Westward), and the PIG Choir: Chris Connelly (Revco, Ministry etc), Emily Kavanaugh (Night Club), I Ya Toyah, Marc Heal (Cubanate) and Burton C Bell (Fear Factory), En Esch, Susannah Doyle, Anita Kyoda, Mark Alan Griffiths, Mike Watts, Jimmy Livingstone, and more!

PIG is Raymond Watts, a British musician whose brand of electronic rock is danceable and deadly serious in turn. Watts’s words spring from the well of gallows humour in a world of corruscating cruelty and truth. PIG climbs peaks and mines troughs, and musical genres slide and collide like tectonic plates.

In 1986 Raymond Watts awoke in West Berlin. It was a time of terror and turmoil, in a city so depraved and decadent that the East Germans had walled it in. Watts had cut his teeth on tape loops in London and Hamburg, but inspired by Berlin’s fetid air and his first 8-bit sampler, Watts gave birth to PIG in 1988, when PIG was cut from his belly with a rusty screwdriver in a basement opposite The Wall. The first squeals were committed to tape, and saw the light of day as A Poke in the Eye. Wax Trax! jumped to release it.

A year earlier, in Hamburg, he was bludgeoning the first KMFDM album into shape with En Esch and Sascha Konietzko. He had also helped deliver the sonic slaughter of Einsturzende Neubauten, Psychic TV and most of the Berlin and Hamburg underground, as both live and studio sound engineer, and producer.

After writing the music for the second KMFDM album, Watts then slipped away to tour with Foetus, playing keyboards and guitar.

When The Wall collapsed, the party was over. Watts returned to London and PIG albums poured forth: Praise the Lard, A Stroll in the Pork, Shit For Brains, Red Raw & Sore and The Swining. Watts programmed, produced and performed, ploughing a lone furrow until Karl Hyde, singer and sinner with Underworld, came to his assistance on guitars followed by Steve White.

Watts had also developed a taste for all things Japanese. His label was based there, his morals were parked there and PIG had toured there many times. He was soon involved with a highly successful bunch of ne’er-do-wells called Schaft. Their album Switchblade, and a sold-out tour, followed.

In 1994, PIG opened for NIN. This led to PIG’s Sinsation album being released on Nothing Records — and then a return to Wax Trax! for Wrecked.

Watts also rejoined KMFDM in 1994, for the PIG v KMFDM EP Sin, Sex & Salvation. On the ensuing album Nihil Watts resumed writing and vocal duties and several heaving tours followed, with Watts orchestrating the chaos from centre stage like a rampant ringmaster armed only with talent and tequila.

When not on tour, Watts could be found in his Ranch Apocalypse studios in London, working on PIG’s No One Gets Out of Her Alive, Prime Evil, Disrupt Degrade & Devastate and the KMFDM albums Symbols, Attak and WW111. On the album Genuine American Monster, Watts reunited with legendary guitarist Guenter Schulz.

While in Toyko, Watts gave birth to the band Schwein with Sascha Konietzko and the Japanese musicians Sakurai and Imai. The albums Schweinstein, Son Of Schweinstein and a sold-out tour ensued.

After releasing the PIG album Pigmartyr (Pigmata on Metropolis), Watts spent time in London indoctrinating his piglets and initiating them into the parish of the pork. When not leading his children down the path of righteousness, he could be found writing music for fashion and films for Alexander McQueen, Chloe, Marios Schwab, Halston, The Row and others. He also wrote music and did sound design for Punk: Chaos to Couture, the exhibition at the Met in New York.

In the final show before his death, Alexander McQueen commissioned Watts and John Gosling, Watts’s old partner-in-crime from Psychic TV days, to embellish the serene instrumental track Inside, from PIG’s Genuine American Monster album. This became the soundtrack to what is seen as McQueen’s masterpiece, Plato’s Atlantis. This show was reprised as the finale of Savage Beauty, the McQueen retrospective that broke all records at the Met in New York and the V&A in London. He also wrote other original music and did sound design for the show.

Last year, in 2015,

dipped his trotter in the trough once more, and released both the much lauded PIG v Primitive Race EP Long in the Tooth, and the Compound Eye Sessions: PIG v MC Lord of the Flies (aka Marc Heal, of Cubanate).

The Primitive Race collaboration brought together Watts and Mark Thwaite, of The Mission, Tricky and Peter Murphy fame, amongst many others. Together they set about writing what would become the main column of misery around which the new PIG album, The Gospel, has been built. Watts’ newest partner in swine, Z. Marr of Combichrist fame, shared production and writing duties.

The new PIG album, The Gospel, is a collection of twelve songs of ruin, redemption, resolution and resurrection. Across this tale of grime and punishment En Esch and Guenter Schulz leave their unmistakable trail of greasy fingerprints.

Support:

Unitcode:Machine
Bandcamp: https://unitcode.bandcamp.com
Facebook: https://facebook.com/unitc0de
Instagram: https://instagram.com/unitcode_machine
Linktree: https://linktr.ee/unitcode

Starting 2000, UNITCODE:MACHINE is a project from Texas Native Eric Kristoffer. Following in the steps of other Texas electronic artists, Eric’s style of electro-industrial takes from many inspirations to create a sound unique to the project. Ever changing, UNITCODE:MACHINE’s list of comparable projects changes from album to album.

NEW ALBUM PRODUCED BY CHRIS HALL OF STABBING WESTWARD:

“It was a real honor and pleasure to work with Eric. He put his heart on soul into this album both musically and lyrically. He was willing to truly expose his inner demons and flaws and turn them into beautiful emotional lyrics that really moved me. this is not easy to do. and it’s scary as hell to put yourself out there in such a painfully honest way. In a world of fake social media perfection, it’s a shocking and wonderful thing to experience true humanity. This is one of those rare albums that I can listen to all the way through and not skip any tracks. I am incredibly proud to have had a hand in bringing these songs to life. I hope that you will give it a listen and if you like it buy a copy to support indie music and musicians. thanks Chris”

Wicked Playground
YouTube: https://youtube.com/@wickedplayground3394/videos
Instagram: https://instagram.com/wickedplaygroundmusic
Spotify: https://open.spotify.com/artist/0R6cpc6UNLQMDhmpxLAjy1

Miami band fusing alternative, metal, industrial and rock.

For fans of: Deftones, Nine Inch Nails, Rammstein, Korn, Marilyn Manson, Alice In Chains, Meshuggah, Tool, Rage Against The Machine, Ministry, Skinny Puppy, The Used, Chevelle, Evanescence, Disturbed, Sevendust