Katie Pruitt – Mantras Tour – Costa Mesa, CA

Katie Pruitt – Mantras Tour makes a stop in Costa Mesa, CA on Sunday, October 20 at The Wayfarer!

Katie Pruitt is living proof of music’s power to transform the way we experience the world. Soon

after the arrival of her acclaimed debut Expectations—a 2020 LP on which she documented her

journey in growing up queer in the Christian South—the Georgia-bred singer/songwriter/guitarist

heard from countless listeners that her songs had impacted their lives on an elemental level. With her

sophomore album Mantras, the Nashville-based musician now looks inward to explore such matters

as gender identity, self-compassion or the lack thereof, and the struggle for peace in times of chaos

and uncertainty—ultimately arriving at a body of work that speaks to the strength in undoing

harmful self-beliefs and fully living your truth.

Mainly produced by Collin Pastore and Jake Finch (known for their work with boygenius and Lucy

Dacus), Mantras delves deeper into the empathetic storytelling and incisive self-examination that

defined Expectations—an album that earned Pruitt a nomination for Emerging Artist of the Year

from the Americana Music Association and drew praise from major outlets like Rolling Stone (who

hailed Pruitt as a “dynamic new presence”) and Pitchfork (who noted that “[h]er songs are patient

but determined, navigating serious subjects with quiet familiarity”). This time around, Pruitt sets her

lived-in lyricism to a folk-leaning sound informed by her love for the more experimental edges of

indie-rock, stacking her songs with plenty of propulsive grooves and overdriven guitars as well as

working with musicians like string arranger Laura Epling (Orville Peck, Spencer Cullum).

Although several songs took shape with the help of co-writers like singer/songwriter Ruston Kelly

(Bethany Cosentino, Amanda Shires), Pruitt wrote most of Mantras on her own and imbued her

lyrics with an expansive element of autobiography. In penning the album-opening “All My Friends

(Are Finding New Beliefs),” she mined inspiration from a Christian Wiman poem of the same name,

dreaming up a fuzzed-out and summery track etched with both self-aware reflection and sharp-

witted observation on the search for clarity and purpose. Next, on “White Lies, White Jesus and

You,” Pruitt shares a hazy yet frenetic meditation on hypocrisy in religion, tapping into her intense

frustration with conservative Christian ideology. A profoundly introspective album, Mantras turns

the lens on her own inner life with songs like “Self Sabotage”—a gloriously cathartic track that

opens up about her struggle with negative thought loops. Meanwhile, on “Blood Related,” Pruitt

presents a raw but poetic rumination on how family can sometimes feel like strangers, enlisting her

mother as a background vocalist and embedding the track with audio recordings of her father and

brother from old home videos. And while Mantras often pushes into emotionally heavy terrain, its

songs frequently echo the radiant sense of joy and discovery that defined the album-making process.

On “Naive Again,” for instance, Pruitt infuses the bright and dreamy tones of glockenspiel and

xylophone into her melancholy contemplation on loss of innocence.

Looking over the tracklist to Mantras, Pruitt notes that a certain narrative thread emerged without

her intention. “I didn’t realize it at the time, but the throughline for this record ended up being my

own personal journey of letting go and learning how to love myself again—it begins with tension,

frustration, and fear and resolves to a place of acceptance, surrender, and stillness,” she says. “I hope

when people hear the record they feel what I felt after writing it, which was a sense of trusting

myself and trusting that—no matter how bad things look—there’s always hope where there’s fear. I

know that so much of the time we feel alone in our pain, so hopefully these songs help everyone to

see that they can work through those big life changes and end up loving themselves a lot more.”