Glenn Wilson / Rory Stuart Quartet at Rudy’s Jazz Room – Nashville, TN

Rory is “one of the greatest living jazz guitarists” – Scott Yanow (The Great Jazz Guitarists)

Glenn Wilson is “an unsung hero in modern jazz” – All Music Guide

“Wilson and Stuart choose the unusual path of bari sax-guitar duo…From the gentle hush of Stuart’s ‘Wednesday’s Child’ to Wilson’s deep groove on Stuart’s ‘Blueprint’ this release showcases two strong talents who ably transcend the stated limitations of such an instrumental duet pairing” – Willard Jenkins (Jazz Times)

Glenn Wilson and Rory Stuart celebrate the 35nd anniversary of their groundbreaking recording Bittersweet on the Sunnyside label.

“Wilson and Stuart’s baritone sax and guitar improvisations are strong and confident. Both players understand the importance of support and the way they set up each other for solos is one of the disc’s strengths. It is especially unique to hear Wilson’s baritone comping behind Stuart’s fleet single-note lines. It doesn’t take long to forget the instrumentation, however, and simply become immersed in the music.” – Carl Baugher, Cadence

Glenn Wilson has been called “an unsung hero in modern jazz” by the All-Music Guide. He has recorded for Cadence, Sunnyside, Capri and Timeless over his 50-year career and has toured and recorded with Buddy Rich, Lionel Hampton, Tito Puente, Bob Belden and many others. Glenn also directs Furtherjazz.org a 501©3 dedicated to preserving, promoting and perpetuating the art of jazz. For more information about Glenn see www.jazzmaniac.com.

Rory Stuart is a critically acclaimed jazz guitarist and composer based in New York. As a leader, he has CDs that have received 4 stars in Downbeat, and been voted 10 best of the year in Coda and Cadence. Rory has also performed with a wide range of artists, from Brother Jack McDuff to Steve Coleman, and has been called by Jazz Times “Perhaps THE most innovative straight-ahead jazz guitarist to emerge in years.” www.rorystuart.com

Jacob Jezioro began studying music with intention at age fourteen. His father an established Nashville bassist, guitarist and producer was his first teacher. Jacob later attended Indiana University, where his mentors were bassists Jeremy Allen and Kurt Muroki. After completing his masters degree at Berklee, Jacob performed with pianist Danilo Perez in Panama and Costa Rica and taught jazz students at the Newport Jazz Festival, Panama Jazz Festival and FiJazz Festival. Since his return to Nashville in 2019, Jacob has performed live with his own bands and records and performs regularly with pianist Pat Coil. Coil’s trio has recorded with guest artists such as vocalist Jaimee Paul and saxophonist Joel Frahm. Jacob has also begun producing his own projects under his label, Green Box Music, and releasing them in collaboration with Burton Avenue Music, Jacob’s father’s label.”

This year marks musician, composer and educator Tony Martucci’s sixtieth year in music. During that time Tony has performed and recorded on stages in the U.S. and abroad with some of the greatest names in music. A short list of those collaborations include John Abercrombie, Mose Allison, Paul Bley, Michael and Randy Brecker, Rusty Bryant, Gary Burton, Joe Chambers, George Coleman, Marc Copland, Eddie Daniels, Dave Douglas, Tommy Flanagan, George Garzone, Danny Gatton, Joe Henderson, Fred Hersch, Lee Konitz, David Liebman, The Jose Limon Dance Company, Joe Lovano, Hank Marr, Donny McCaslin, Grachan Moncur lll, James Moody, Don Patterson, Dewey Redman, Joshua Redman, Sonny Stitt, and Kenny Werner. Martucci continues to cultivate an original and interpretive drum style that is both supportive and interactive, reflecting his deep understanding of the jazz tradition and his vast stylistic influences. Tony is a skilled accompanist and a soloist of unusual melodic depth.

Tony’s extensive discography includes five critically acclaimed recordings under his own name. “EARTH TONES” earned a spot on the Jazz Times Critics Pick Best of the Year. “COLLAGE” further showcased his artistic vision. “LONG STREET CHARM” was rated four stars in Down Beat magazine. “LIFE IN HAND” was included by The Washington Post in its list of the best recordings of 2011. The Tony Martucci Quintet double CD “ANCESTRAL VOICES” has been widely celebrated for its creativity and artistic vision. In addition to leading his own ensembles, current projects include The Jazz Update, Victor Haskins’ Skein, Glenn Wilson, and Virginia Commonwealth University’s Mary Morton Parsons Jazz Masters. Martucci has been a professor of music at The College of William and Mary and The University of Maryland. He currently serves as an adjunct professor of music at Virginia Commonwealth University, where he teaches drum set, Latin percussion, and small jazz ensemble. Tony has for many years been a teaching artist for the Washington Performing Arts Society, a founding member of The Capitol Jazz Project, and a teaching artist for the Kennedy Center Jazz Outreach program in Washington D.C.

This show is 21 and over only. All sales are final and we unfortunately cannot offer any refunds. Additional tickets may be available at the door on the day of the show even if it is sold out online.

Please try to arrive 15 minutes prior to the show start time. If you do not arrive within 45 minutes after the show start time on your ticket your seat may be resold to other patrons at the door. If you arrive after 45 minutes from the start time of the show and your ticket has been resold, although we cannot guarantee it, we will try our best to make space for you to attend the show.